Audio – “In Hungary They Used to Burn Bagpipers”

We have made some audio available on the Downloads page – a rough demo of the tune “In Hungary They Used to Burn Bagpipers”.

The recording is now a few months old, and is of a version of the piece for three tubas, multi-tracked by me. Those of you who have followed this project from the beginning will recall that ORE was originally a trio before it settled into its final core of Sam and me.

The reference to Hungary in the title is two-fold: firstly, as you may already have guessed, it’s in tribute to Mayhem and Sunn O))) mainstay Attila Csihar, but also to Gyõrgy Kurtág, the great Hungarian composer of small-scale yet massive music, and Bela Bartók, whose piano music I enjoy playing.

I don’t remember why I had a vision of bagpipers being burned at the stake, but “dudasók” (bagpipes) is one of the few inoffensive words I know in the Hungarian language, which doubtless had something to do with it…

The whole thing is due for a revisit; this certainly isn’t the piece’s final form. I’m looking at adapting it for two tubas and contrabass clarinet for our collaboration with Alex Sramek in February.

Special guest

We like to collaborate with like-minded musicians, which is why we were delighted when Alex Sramek got in touch with us towards the end of 2011. It was obvious from the first conversation that we should make some noise together. Alex plays contrabass clarinet and has been described by The Clarinet as “The world’s loudest clarinet player”. He also shares our love of long, low drones and improvisation.

Alex is coming to the UK in February for the SABRe (Sensor Augmented Bass clarinet Research) event at Keele University. It seemed like an obvious opportunity to get some stuff done together, culminating in a live performance together at The Cube Cinema in Bristol on the 25th – lovely poster below, designed by another Alex.

We are currently trying to organise something to take place in Birmingham while Alex is over, alongside some recording time, pop-up performances (well, not that pop-up with two tubas and a contrabass clarinet), playing in some odd spaces, etc. If you’d like to suggest something you want to see / hear us do during the last couple of weeks in February, please get in touch or post a comment below.

The Sound of ORE

ORE came about due to a chance meeting of minds. We first made contact with each other after both having tracks played on the amazing and sadly now defunct (on-hold?) Brumcast radio station. It is for this reason that we are very pleased to have had an early ORE demo recording included in Brumcast’s “Supersonic Festival Preview Podcast”. Thanks to Brumcast, aka Chris Downing, for this and for helping bring ORE together.

Listen to the podcast here.